Wednesday, October 31, 2012

Birds Without Wings - related web pages




Author's website:
http://www.louisdebernieres.co.uk/birds.html

The New York Times
http://www.nytimes.com/2004/10/31/books/review/31KROINL.html?_r=0


From The Guardian / The Observer
http://www.guardian.co.uk/books/2004/jun/20/fiction.louisdebernieres


From LitLovers.com:
http://www.litlovers.com/reading-guides/13-fiction/7872-birds-without-wings-de-bernieres?showall=1

From The Morning News, an interview: 
http://www.themorningnews.org/article/birnbaum-v.-louis-de-bernires


Birds Without WIngs - Publisher notes, questions, etc.

From Random House, Inc: 
 http://www.randomhouse.com/book/38303/birds-without-wings-by-louis-de-bernieres#aboutthebook

WHITBREAD AWARD FINALIST

Los Angeles Times and San Francisco Chronicle Bestseller“A quite astonishing, and compulsively readable, tour de force. . . . De Bernières’s subtly differentiated characters attach themselves to us and won’t let go.” —Los Angeles Times Book Review


The introduction, discussion questions, suggestions for further reading, and author biography that follow are designed to enliven your group’s discussion of Birds Without Wings, Louis de Bernières’s eagerly awaited follow-up to the acclaimed Corelli’s Mandolin. By turns hilarious and heartbreaking, Birds Without Wings is a hugely ambitious novel about the pleasures of peace, the meaning of home, and the foolishness and fratricide of war. In its rich tapestry of scenes and characters, it encompasses the whole range of human emotions and behaviors, from the most savagely cruel to the most selflessly compassionate.


Discussion Questions:

1. Why has Louis de Bernières chosen Birds Without Wings as his title? What actual and symbolic roles do birds play in the book? What does Karatavuk mean when he writes at the end of the novel, “We were birds without wings. . . . Because we cannot fly we are condemned to do things that do not agree with us” [p. 550–551]?
2. The setting of Birds Without Wings is an early twentieth-century Turkish village. How, despite its distant setting, does the novel mirror the contemporary world? In what way is the world of the novel vastly different from the world today?
3. In his prologue, Iskander the Potter says that he misses the Christians after they were removed from Eskibahçe: “Without them our life has less variety, and we are forgetting how to look at others and see ourselves” [p. 7]. Why does he feel that the presence of “others” allowed the villagers to see themselves? Why is the loss of variety so important? Why were so many different kinds of people able to live together in Eskibahçe so peacefully?
4. What makes Eskibahçe such a marvelously colorful village? Who are some of its most eccentric and engaging characters? How does the village change over the course of the novel?
5. The novel vividly describes the nationalist fervor that swept the world in the early twentieth century: “Serbia for the Serbs, Bulgaria for the Bulgarians, Greece for the Greeks, Turks and Jews out!” [p. 16] What causes these feelings? What are their ultimate consequences?
6. After Ayse and Polyxeni convince the reluctant Daskalos Leonidas to write a message in tears on the wings of a dove, which they hope will fly to Polyxeni’s dead mother, Ayse exclaims, “It’s incredible! A man with that much education, and he didn’t even know about how to get a message to the dead” [p. 77]. What does this scene suggest about the gulf between traditional and modern ways of understanding the world?
7. On the way to Smyrna, Iskander prefaces his story by saying, “The thing about stories is that they are like bindweeds that have to wind round and round and creep all over the place before they get to the top of the pole” [p. 128]. Is what Iskander says here true of the novel itself? How does the story line “creep all over the place”?
8. What kind of man is Mustafa Kemal? How does he achieve his great military success? What are the ultimate consequences of his actions?
9. Leyla tells Rustem Bey that the women in town are saying he is a bad master because he doesn’t beat her [p. 228]. What does this passage suggest about the relationship between women and men in the novel? What roles are women expected to play? In what ways are they oppressed by their culture?
10. What are the most horrific aspects of war as they are described in Birds Without Wings? What are its greatest cruelties? What surprising acts of compassion do the soldiers perform for one another and even for their enemies? How does war affect the village of Eskibahçe?
11. Why does de Bernières use different narrators and different points of view in the novel? Does this multiplicity of voices mirror some of the novel’s main themes?
12. What is the significance of the relationships between Philothei and Ibrahim and between Karatavuk and Mehmetçik? Why are these young people so drawn to each other despite their religious differences?
13. Can Birds Without Wings be read as a cautionary tale for our own times? What does the novel say about the larger themes of love and war, revenge and forgiveness, both toward oneself and others?

Tuesday, October 30, 2012

MOONWALKING WITH EINSTEIN

Here a few links to Internet related sites.  There is actually a lot of online information both about the book, and on closely related topics.

If you are curious about AD HERENNIUM, you can actually read some of it here, in a University of Chicago page.
http://penelope.uchicago.edu/Thayer/E/Roman/Texts/Rhetorica_ad_Herennium/home.html

The author of this month's book has an interesting website which includes several videos:
http://joshuafoer.com/

The always good reader's guide from LitLovers.com is here:
http://www.litlovers.com/reading-guides/14-non-fiction/8342-moonwalking-with-einstein-foer

One of the reviews in the NY Times will be found in the following link:
http://www.nytimes.com/2011/03/13/books/review/book-review-moonwalking-with-einstein-by-joshua-foer.html?pagewanted=all&_r=0

A video where Daniel Kahneman, author of Thinking Fast and Slow, and winner of the Nobel Prize in Economics, speaks about the book:

The movie rights to the book have been acquired by Columbia Pictures:

Tony Buzan's website:  http://www.tonybuzan.com/

Daniel Tammet:  http://www.danieltammet.net/index.php

Books for November 2012 - February 2013


November 27
Birds Without Wings
Louis de Bernieres, 2004, 576pp
The setting is a small village in southwestern Anatolia in the waning years of the Ottoman Empire. Everyone there speaks Turkish, though they write it in Greek letters. It’s a place that has room for a professional blasphemer; where a brokenhearted aga finds solace in the arms of a Circassian courtesan who isn’t Circassian at all; where a beautiful Christian girl named Philothei is engaged to a Muslim boy named Ibrahim.

December 18
The Passion of Artemisia
Susan Vreeland, 2002, 352 pp.
Set against the lush tapestry of Renaissance Rome; this is a mesmerizing tale of love, art, and most notably, the love of art. After Artemisia Gentileschi, a promising young painter, is raped by her instructor, a papal court orders her torture and her father betrays her. Shamed but not vanquished, she asks her harsh parent to arrange her marriage to another painter and, thus vindicated in the eyes of society and the church, she begins a new life.
But not a happy one.

January 29, 2013
In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin
Erik Larson, 2011, 464 pp.
The time is 1933, the place, Berlin, when William E. Dodd becomes America’s first ambassador to Hitler’s Germany in a year that proved to be a turning point in history. A mild-mannered professor from Chicago, Dodd brings along his wife, son, and flamboyant daughter, Martha. At first Martha is entranced by the parties and pomp, and the handsome young men of the Third Reich with their infectious enthusiasm for restoring Germany to a position of world prominence.

February 26, 2013
Cutting for Stone
Abraham Verghese, 2009, 541 pp.
An enthralling family saga of Africa and America, doctors and patients, exile and home. Marion and Shiva Stone are twin brothers born of a secret union between a beautiful Indian nun and a brash British surgeon at a mission hospital in Addis Ababa. Orphaned by their mother’s death in childbirth and their father’s disappearance, bound together by a preternatural connection and a shared fascination with medicine, the twins come of age as Ethiopia hovers on the brink of revolution. 


All blurbs courtesy of LitLovers.com